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THE FUTURE (years 2029-2074)
The first feature will be written by me only.
The second feature should be written by me and a writing partner. He or she will write various drafts, and I'll do revisions accordingly so that both of us have screenwriting credit.
The third feature and the seventh feature should be written by me and screenwriting duo A. The screenplays for both of these features should be written at the same time so that the seventh feature is ready to be filmed and released the year after the sixth feature is completed and released.
The fourth feature, fifth feature, and sixth feature should be written by me and screenwriting duo B. They should all be written at the same time so that we can film these films back to back, and edit on the fly so that they are released one year after another.
The eighth feature should be written by me and screenwriting duo C. It should be filmed, edited on the fly, and released within one year.
The ninth feature, tenth feature, and twelfth feature should be written by me and screenwriting duo D. They should all be written at the same time so that we can film the ninth and the tenth back to back, and edit on the fly so that they are released one year after another. The twelfth feature's screenplay should be completed at around this time so it can be filmed and released the year after the eleventh film is completed and released.
The eleventh feature should be written by me and screenwriting duo E.
The thirteen feature should be written by me and screenwriting duo F.
I shall have a "Story By" credit and a co-screenwriting credit on features number two through thirteen.
The first feature shall be filmed in Houston, Katy, Alvin, and Galveston.
The second feature shall be filmed in Houston and New York.
The third feature shall be primarily filmed in Houston, Katy, and Austin.
The fourth feature shall be filmed in Los Angeles.
The fifth feature shall be filmed in Houston.
The sixth feature shall be filmed in various locations throughout Texas.
The seventh feature shall be filmed in mostly Houston, and various locations around the world.
The eighth feature shall be filmed in mostly Houston.
The ninth feature shall be filmed in Houston.
The tenth feature shall be filmed in Sealy.
The eleventh feature shall be filmed in mostly Houston.
The twelfth feature shall be filmed in New Orleans.
The thirteenth feature shall be filmed in AT LEAST the Middle East, Israel, Jerusalem, Turkey, Syria, Jordan, Lebanon, Italy, Greece, and Egypt.
March, April, and May 2029: filming the first feature.
June, July, August 2029: post-production on the first feature
October 2029: premieres at the Austin Film Festival
December 14th, 2029: nationwide and international theatrical distribution in movie theatres all across America and across the world
2032: the second feature is filmed and released
2035: the third feature is filmed and released
2036: the fourth feature is filmed and released
2037: the fifth feature is filmed and released
2038: the sixth feature is filmed and released
2040: the seventh feature is filmed and released
2042: the eighth feature is filmed and released
2043: the ninth feature is filmed and released
2044: the tenth feature is filmed and released
2046: the eleventh feature is filmed and released
2047: the twelfth feature is filmed and released
2050: the thirteenth feature is filmed and released
2051: After writing, producing, and directing thirteen major full length narrative motion pictures that are all excellent four star masterpieces, and after he wins Oscars for Best Picture and Best Director for some of them, and after he becomes a billionaire from the 13 features he writes, produces, and directs, Benjamin Johnson retires from film directing at 62 years old.
2052: Benjamin Johnson becomes a full-time film professor at UT-Austin film school at age 63. He teaches film classes there until he retires from academia at age 85 in the year 2074. During these 22 years, he teaches various undergraduate classes, including: a film studies class on the cinema of Alfred Hitchcock, Stanley Kubrick, Orson Welles, Martin Scorsese, and Steven Spielberg; a film studies class on Intro to Narrative Strategies; a Film Studies-Film Production Hybrid class on Avant Garde-Experimental cinema; Advanced Narrative Production where Lars Von Trier's Dogma 95 model is followed as a template; and an Advanced Thesis Production class where all students in that class must write, produce, and direct their own 90 minute features.
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