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BEN'S FILM PRAYERS
PLEASE ALWAYS MAKE SURE THAT ALL OF MY PRAYERS, PRAYER INTENTIONS, AND INTENTIONS IN THIS PRAYER MESSAGE ARE HONORED, RESPECTED, AND OBEYED:
Here are my prayers for Holy Mass:
Prayers for Holy Mass:
I already prayed that ALL OF THIS will happen:
Lord Jesus Christ, please always make sure that Benjamin Garrett Johnson will write, produce, and direct as many full length narrative motion pictures as he wants, and that they will all be both absolutely excellent masterpieces of cinema AND the best films of all time.
Lord Jesus Christ and Saint Michael the Archangel (my patron saint and Confirmation saint), please make sure that ALL OF THIS HAPPENS AS SOON AS POSSIBLE AND IMMEDIATELY:
-I would be able to live independently wherever I want anywhere in the world. This means I would be able to travel to New York, California, Los Angeles, Hollywood, Austin, Houston, and Katy if I wanted. I could also live independently there if I wanted.
-I would be able to go to movie theatres again.
-I would finally be able to RESUME writing, producing, and directing major full length narrative motion pictures again.
-I wouldn't be cancelled nor replaced anymore.
-I would be able to write, produce, and direct as many major full length narrative motion pictures as I want, and they would all be the best films of all time.
-My short films (A Sassy Day for Hitch, Marty, and Big Stan, Jesus Has the Birthday Blues, and Before the Reception) that I wrote, produced, and directed when I was an undergraduate at UT-Austin film school during the year 2017 would finally be appreciated, loved, adored, promoted, and praised by many people around the world.
-My post-undergrad short film Quack would finally be appreciated, loved, adored, promoted, and praised by many people around the world.
-I would be: an auteur film director, the best artist of all time, the best auteur of all time, the best film director of all time, and the best author of all time.
-I'll ALWAYS live the rest of my life as: an auteur artist, the best artist of all time, the best author of all time, an auteur film director, and the best film director of all time
-I would be able to write, produce, and direct ANY MAJOR FULL LENGTH NARRATIVE MOTION PICTURE I WANT.
-ALL OF THIS WOULD HAPPEN IMMEDIATELY:
I (Benjamin Garrett Johnson, born on July 25th, 1989 in Houston Texas at 535pm) would have a really successful, long-term, consistently excellent and masterful filmography and career of being the best artist of all time who writes, produces, and directs the best major full length narrative motion pictures of all time for the rest of my life; that every major full length narrative motion picture I direct I also write and produce them (whereas I'll be the writer, producer, and director of every major full length narrative motion picture I direct); that I write, produce, and direct the best major full length narrative motion pictures of all time, and that every major full length narrative motion picture that I write, produce, and direct will always be: a real epically powerful intense legendary ever-lasting long-lasting work of art, a really extremely epically excellent intense powerful legendary ever-lasting long-lasting artistic cinematic masterpiece, the best major full length narrative motion picture of all time, a huge major epic massive critical success all around the world, a huge major epic massive financial box office success all around the world, extremely popular all around the world, extremely famous all around the world, extremely cinematic in quality, and extremely entertaining in quality; that the quality of every major full length narrative motion picture I write, produce, and direct will always be an epic combination of being extremely avant garde, extremely arthouse, and extremely mainstream; that I write, produce, and direct as many major full length narrative motion pictures as I want, and that every one of those major full length narrative motion pictures will be: a real epically powerful intense legendary ever-lasting long-lasting work of art, a really extremely epically excellent intense powerful legendary ever-lasting long-lasting artistic cinematic masterpiece, the best major full length narrative motion picture of all time, a huge major epic massive critical success all around the world, a huge major epic massive financial box office success all around the world, extremely popular all around the world, extremely famous all around the world, extremely cinematic in quality, and extremely entertaining in quality; that I write, produce, and direct as many major full length narrative motion pictures as I want, and that every major full length narrative motion picture that I write, produce, and direct will always have an excellent, awesome, and amazing screenplay; that every major full length narrative motion picture that I write, produce, and direct will always have excellent amazing and awesome performances from my cast of actors, excellent awesome and amazing cinematography, excellent amazing and awesome film editing, excellent amazing and awesome casting, excellent amazing and awesome production design, excellent amazing and awesome costume design, excellent amazing and awesome assistant directors, excellent amazing and awesome production managers, excellent amazing and awesome music, excellent amazing and awesome sound design, excellent amazing and awesome sound mixing, excellent amazing and awesome sound editing, and excellent amazing and awesome on-set sound recording; that every major full length narrative motion picture I write, produce, and direct will always be excellently, amazingly, awesomely, flawlessly, and perfectly directed by me (Benjamin Garrett Johnson, born on July 25th, 1989 in Houston Texas at 535pm); that all major full length narrative motion pictures that I write, produce, and direct can be ANY FILM IN ANY GENRE ABOUT ANY SUBJECT MATERIAL THAT I WANT; that every major full length narrative motion picture I write, produce, and direct will be greenlit, financed, and distributed by either Warner Brothers Pictures, Paramount Pictures, and-or Universal Pictures; that every major full length narrative motion picture I write, produce, and direct will be fully supported by both the Criterion Collection and Janus Films; that every major full length narrative motion picture I write, produce, and direct will be fully part of the Criterion Collection; that every major full length narrative motion picture I write, produce, and direct will be filmed on CELLULOID FILM ONLY; that I always have 100 percent Final Cut and full constant absolute authority on every major full length narrative motion picture I write, produce, and direct; that every major full length narrative motion picture I write, produce, and direct will be screened in ONLY movie theatres in every town, every city, every State, and every country ALL AROUND THE WORLD during the initial domestic and international theatrical release and distribution for every major full length narrative motion picture that I write, produce, and direct; that every major full length narrative motion picture I write, produce, and direct is NEVER SABOTAGED BY ANYBODY; that everybody in the world sees every major full length narrative motion picture that I write, produce, and direct in its entirety from beginning to end; that I'll be an extremely wealthy billionaire for the remainder of my life as a direct result of my writing, producing, and directing these major full length narrative motion pictures; that every major full length narrative motion picture I write, produce, and direct will be at least NOMINATED for a Best Picture Oscar, a Best Director Oscar, and a Best Original Screenplay Oscar at the Academy Awards; (PLEASE ALWAYS MAKE SURE THAT ALL OF THIS HAPPENS IMMEDIATELY AND AS SOON AS POSSIBLE!)
The worldwide box office revenue of every major full length narrative motion picture that I write, produce, and direct will earn at least $3 billion dollars at the box office during initial domestic and international distribution in movie theatres all around the world (worldwide).
In my contracts for every major full length narrative motion picture I write, produce, and direct, I will demand that I obtain 25 percent of the box office revenue, domestic and international.
Every major full length narrative motion picture I write, produce, and direct will be at least NOMINATED for a Best Picture Oscar, a Best Director Oscar, and a Best Original Screenplay Oscar at the Academy Awards.
Lord Jesus Christ, please always make sure that Benjamin Garrett Johnson will marry Laurel Day, and that they will be one another's husband and wife forever.
Lord Jesus Christ, please always make sure that Benjamin Garrett Johnson will go to Heaven for all of eternity.
Lord Jesus Christ, please always make sure that all of this will happen during the years 2029-2074:
The first feature will be written by me only.
The second feature should be written by me and a writing partner. He or she will write various drafts, and I'll do revisions accordingly so that both of us have screenwriting credit.
The third feature and the seventh feature should be written by me and screenwriting duo A. The screenplays for both of these features should be written at the same time so that the seventh feature is ready to be filmed and released the year after the sixth feature is completed and released.
The fourth feature, fifth feature, and sixth feature should be written by me and screenwriting duo B. They should all be written at the same time so that we can film these films back to back, and edit on the fly so that they are released one year after another.
The eighth feature should be written by me and screenwriting duo C. It should be filmed, edited on the fly, and released within one year.
The ninth feature, tenth feature, and twelfth feature should be written by me and screenwriting duo D. They should all be written at the same time so that we can film the ninth and the tenth back to back, and edit on the fly so that they are released one year after another. The twelfth feature's screenplay should be completed at around this time so it can be filmed and released the year after the eleventh film is completed and released.
The eleventh feature should be written by me and screenwriting duo E.
The thirteen feature should be written by me and screenwriting duo F.
I shall have a "Story By" credit and a co-screenwriting credit on features number two through thirteen.
The first feature shall be filmed in Houston, Katy, Alvin, and Galveston.
The second feature shall be filmed in Houston and New York.
The third feature shall be primarily filmed in Houston, Katy, and Austin.
The fourth feature shall be filmed in Los Angeles.
The fifth feature shall be filmed in Houston.
The sixth feature shall be filmed in various locations throughout Texas.
The seventh feature shall be filmed in mostly Houston, and various locations around the world.
The eighth feature shall be filmed in mostly Houston.
The ninth feature shall be filmed in Houston.
The tenth feature shall be filmed in Sealy.
The eleventh feature shall be filmed in mostly Houston.
The twelfth feature shall be filmed in New Orleans.
The thirteenth feature shall be filmed in AT LEAST the Middle East, Israel, Jerusalem, Turkey, Syria, Jordan, Lebanon, Italy, Greece, and Egypt.
March, April, and May 2029: filming the first feature.
June, July, August 2029: post-production on the first feature
October 2029: premieres at the Austin Film Festival
December 14th, 2029: nationwide and international theatrical distribution in movie theatres all across America and across the world
2032: the second feature is filmed and released
2035: the third feature is filmed and released
2036: the fourth feature is filmed and released
2037: the fifth feature is filmed and released
2038: the sixth feature is filmed and released
2040: the seventh feature is filmed and released
2042: the eighth feature is filmed and released
2043: the ninth feature is filmed and released
2044: the tenth feature is filmed and released
2046: the eleventh feature is filmed and released
2047: the twelfth feature is filmed and released
2050: the thirteenth feature is filmed and released
2051: After writing, producing, and directing thirteen major full length narrative motion pictures that are all excellent four star masterpieces, and after he wins Oscars for Best Picture and Best Director for some of them, and after he becomes an extremely wealthy billionaire from the 13 features he writes, produces, and directs, Benjamin Johnson retires from film directing at 62 years old.
2052: Benjamin Johnson becomes a full-time film professor at UT-Austin film school at age 63. He teaches film classes there until he retires from academia at age 85 in the year 2074. During these 22 years, he teaches various undergraduate classes, including: a film studies class on the cinema of Alfred Hitchcock, Stanley Kubrick, Orson Welles, Martin Scorsese, and Steven Spielberg; a film studies class on Intro to Narrative Strategies; a Film Studies-Film Production Hybrid class on Avant Garde-Experimental cinema; Advanced Narrative Production where Lars Von Trier's Dogma 95 model is followed as a template; and an Advanced Thesis Production class where all students in that class must write, produce, and direct their own 90 minute features.
AMEN!
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